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La boheme opera wikipedia2/16/2023 ![]() There are smart interventions, though never perverse ones. For a start, this offers occasion, some missed, some belated, for self-reflection and psychological examination. A dark, clouded mirror shears the stage and frames the space of the garret and cafe – evocative of the murky glass that appears in contemporary paintings by Renoir and Manet. The horseplay in Acts one and four from the boys includes a wittily choreographed sequence Benoit is exquisitely blocked and executed with elan by the central quartet. Indeed, it is a reminder of the focus that prevails across the production. ![]() Even if ETO doesn’t offer the lavish spectacle of bigger companies in Act two, funneling children, actors, chorus, and singers into the front portion of the stage creates a vibrant and bustling stage picture, with plenty of imaginative detailing. Lively supertitles helped give the show a knockabout, contemporary feel, despite the heritage staging. Here it is revived with verve by Christopher Moon-Little, whose insightful program essay on the two central women of the opera suggests attention to psychological detail and historical context reflected in this finely-honed revival of an operatic staple.ĭesigns tending towards the grimy and grungy are by Florence de Maré and Neil Irish, lit with understated chill by Rory Beaton. ![]() John Passion,” Rismky-Korsakov’s “The Golden Cockerel” at the opera’s London home of the Hackney Empire, and a revival of Puccini’s “La bohème.” James Conway’s production will be touring a myriad of venues until early June with Rodolfo, Marcello, Musetta, and Mimi double-cast. Last week the English Touring Opera launched its spring tour.
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